Archival Giclée Prints, What You’re Actually Buying and Why It Matters
If you have ever unrolled a print and felt a tiny bit underwhelmed, you will know exactly what this post is about.
Some prints look flat. Some look slightly fuzzy. Some fade. And some, the good ones, look crisp, rich, and quietly expensive from the moment they go on the wall.
That difference usually comes down to three things: the paper, the inks, and how the print is made.
1) The paper is the foundation
Paper is not just something the image sits on. It is the reason the print looks clean, bright, and detailed.
A premium fine art paper has enough weight to feel substantial, and a surface designed to hold detail without glare. At Peardrop Prints, our archival matt paper is a heavy 230gsm, acid free, clean white base and made for longevity.
What you notice at home:
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a print that feels thick and quality in the hand
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sharper detail in the pattern
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colour that looks clean rather than muddy
2) Pigment inks are what keep colour looking fresh
Inks matter more than most people realise. Quality giclée prints use archival pigment inks, not basic dye inks.
Peardrop Prints uses archival pigment inks and an extended ink set designed for a wide tonal range and colour gamut, which is a fancy way of saying: more depth, more nuance, better detail.
What you notice at home:
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blacks look deeper
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colours look more layered
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fine linework stays crisp
3) Made to order usually means better results
Mass printing can be convenient, but it often means less care and less quality control. At Peardrop Prints, every print is made to order.
What you notice at home:
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cleaner edges
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fewer handling marks
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a print that feels properly finished
The easiest way to make a print look framed, even before you frame it
A small detail that makes a big difference: some of our designs are printed with a white border that acts as a built in mount. It gives a more gallery style finish and makes framing simpler, especially if you are using standard frames.
How to choose the right print for your room
If you want it to look intentional, match the print to the mood of the room.
Living room
Go larger and bolder. This is where crisp detail and rich colour looks most impressive.
Bedroom
Choose calmer designs and softer palettes. Pattern becomes texture, which is exactly what you want where you sleep.
Hallway
Lighter backgrounds work well, and a clean print surface helps narrow spaces feel brighter.
If you love classic British pattern, William Morris designs are a brilliant starting point because they read as timeless rather than trendy.
What to look for when buying prints online
Before you buy, check the product page for specifics. A good print brand will tell you:
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the paper weight and whether it is acid free
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that the inks are archival pigment inks
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whether the prints are made to order and packed carefully
If it is all vague, it is usually a sign the result will be vague too.
The bottom line
If you want wall art that looks crisp now and still looks good years from now, choose archival giclée on proper paper, printed with pigment inks, then keep framing clean and simple.
When you are ready, start with one hero piece for your main wall, then add a second to build a pair. That is the quickest route to a home that feels finished.